Thursday, March 26, 2015

Gatsby x__x

  1. Why, ultimately, did Daisy choose Tom instead of Jay?
Daisy chooses social acceptability over what we are supposed to infer is "true love". Gatsby, while wealthy enough, is still from "new money," and because the Buchanans are pretty much universally recognized as coming from "old money" she deliberately picks the latter in order to maintain her affiliated status in the upper-upper class. It is also worth noting that in the 1920's the woman's role was to preserve the marriage--leaving was rarely considered an option, especially when a child was involved.

2. Which aspects of the major characters do you admire?  Why?  (Say which character, which trait, and why you admire it.)
Gatsby's blind optimism and persistence in pursuing his goals are admirable traits.
3. Which aspects of the major characters do you not admire?  Why?
*Daisy's superficiality and her complacency with the way things are.
*Tom's possessive nature and hypocritical feelings of jealousy regarding Daisy's affair with Gatsby.
4. Who is the protagonist of this novel?  Who or what is the antagonist? Explain your answers.
The protagonist is Gatsby and the antagonist are his romanticized dreams.
5. Jay Gatsby's life does not follow the arc of a typical tragic hero.  But do you as a reader sense some tragedy (of the Shakespearian variety) in his death?  In other words, is Jay Gatsby a character capable of eliciting a catharsis (Links to an external site.) in the reader? Explain why or why not.

Gatsby is capable of eliciting catharsis, as in the final scene at Tom and Daisy’s house, the reader learns that Daisy will never leave her financially stable situation to pursue her love with Gatsby. Gatsby waits outside her window to ensure that she is safe, yet his feelings will never be returned and his efforts to impress her have been futile.

6. If this book is an argument, what is its thesis statement?  (Try to come up with two or three answers to this question, and don't settle for the simplest statements; honor the complexity of this text by trying to discover its subtleties and nuances.)
The thesis statement of Gatsby revolves around the idea that dreams inevitably give way to disillusionment--this can be related to the American Dream, the dream of idealized love…  these themes are presented and subsequently deconstructed in the book.
Another potential thesis statement for Gatsby is that the past is an intrinsic part of your character and you cannot be detached from it.
7. Francis Bacon says we should read to "weigh and consider" the ideas presented to us in novels.  In what ways does The Great Gatsby challenge your personal view of the world of 2015, your values, your assumptions?  What is your response - for now - to that challenge?
Speaking from a #Seniors2015 perspective, it is obvious that conspicuous consumption is still a social phenomenon as well as the "leisure class" (think about the Occupy movement). The gender roles in this novel also force one to reflect on the institution of marriage and its historically binding aspects (financial dependency as a means of forcing the wife to remain subordinate, the perpetuation of the cycle of abuse).
8. According to Thorstein Veblin, conspicuous consumption is not unique to the "leisure class."  He says, "No class of society, not even the most abjectly poor, forgoes all customary conspicuous consumption.  The last items of this category of consumption are not given up except under stress of the direst necessity.  Very much of squalor and discomfort will be endured before the last trinket of the last pretense of pecuniary decency is put away."  Do you think that's true, that conspicuous consumption is inevitable no matter your wealth?  Should we try to minimize our own instances of conspicuously consuming?  Or are we wrong to assume, with Veblin, that buying things for show is inherently immoral (or at the very least, unseemly)?
Leisure is an inherent part of the American lifestyle and no matter the specific economic circumstance, that sort of "conspicuous consumption" will be present as a means of conforming to presumed standards. It is expected that people buy things for validation from others rather than necessity and this ideal is constantly shoved in our faces via the glorification of expensive commodities, especially in Park City and the popular instagram tag “#richkidsofinstagram” (follow me @adam.sny). Conspicuous consumption is by no means "inherently immoral" as there is nothing technically wrong about it in terms of ethics; rather, it is unnecessary at best and wasteful at worst.
9. In Chapter 4 of Plato's Banana Republic, Socrates argues that both wealth and poverty are antithetical to virtue.  He states, "Wealth, I said, and poverty; the one is the parent of luxury and indolence, and the other of meanness and viciousness, and both of discontent."  I think Fitzgerald - based on his portrayals of Jay, Tom, Jordan, Daisy and Wilson - would agree with Socrates (though you may read it differently). Now, the lifestyle you currently live (whatever that is) probably has more to do with your parents' choices and circumstances than your own at this point in your life.  But as you consider the social and economic lifestyle you hope/expect to have as an adult, how do Socrates' and Fitzgerald's views of wealth (and poverty) inform your aspirations?
Socrates’ and Fitzgerald’s views on wealth would not deter me from attempting to achieve material success; although the characters in Great Gatsby are far from virtuous, I don’t believe that immorality is a direct result of wealth, or lack thereof. Discontent, perhaps, may be most prevalent in the extremes of the spectrum of wealth, but virtue can be seen throughout, and is more so dependent upon one’s personal efforts to adhere to their own morals.

Monday, February 9, 2015

No Country for Old Men

The 1996 prompt gives Fay Weldon's idea of a happy ending: "some kind of spiritual reassessment or moral reconciliation."   In NCFOM, Sheriff Bell explains his spiritual reassessment to Uncle Ellis, noting that he always thought God would come into his life, and now, on the eve of retirement, he is no longer sure that will happen. HAVE YOU EXPERIENCED A SPIRITUAL REASSESSMENT OR MORAL RECONCILIATION?  What has changed about your moral or spiritual life as you grow into adulthood?

I've never explicitly aligned myself with a particular faith. In my life, God has always been more of a hazy concept than an explicit being with rules and checklist, granting or denying you access to a pleasant afterlife as he chooses. In this sense, I suppose I haven't undergone a "spiritual" reassessment in the one way tends to think. I've never been anything but an optimistic agnostic, so, unlike Bell, I don't particularly expect God to come into my life at any time. Nor do I expect him to leave it.

Moral reconciliation, on the other hand, is something that has more clearly changed me during these past few years. As I've grown up, I've become more and more attached to the ideals of constant progression and authenticity (though I never had a name to call the latter), and I've become more and more comfortable with the idea of life and death as I've become more and more comfortable with the power of human choice and potential. I find it reassuring that we always move forward, and this specific moral reconciliation allows/allowed me to get over my own sense of futility. Death is inevitable, sure, but human choice is powerful. Nothing is set in stone.

What characteristics do you share with Moss, Bell and Chigurh?

I am immediately turned off by the suggestion that I am like any of the central characters in this book, because quite frankly they're all a little irritating (Moss is selfish and most of the book that was written in his perspective just felt like endless descriptions of guns I didn't care about, Chigurh's "fate" goes against most of my personal values, Bell is a jaded and emotionally paralyzed old man), but maybe my knee-jerk defensiveness is just a projection of my own self-denial. Let me think about this. I need to come to terms with myself to answer this. Hold on.

Okay.

I suppose I relate to Moss in the sense that I try to act authentically (or at least I'd like to think that I do). Rather than lamenting over past decisions and their outcomes, I just deal with what I have in front of me. It's the only way to truly survive, I think. #NoRegrets.

Bell's tendency to snowball his basic thoughts into universal questions with overly existential implications is one that I also have.

The part of me that understands Chigurh is also a part of me that I hate: that nagging idea that no matter what I do, there is no real choice--things are this way, and that's that. The idea that things cannot be changed by my own hand, the idea that human will is practically futile... I have these thoughts that correspond with Chigurh's ideas of morality, "authentic" as I may try to be.

In what ways are you "authentic" or in "bad faith" in the existential senses of these terms?

I guess I've already answered this a little. I do my best to be authentic. It's kind of a huge deal for me to constantly be moving forward, looking ahead rather than becoming consumed with past events. Destiny isn't predetermined, I think; one makes their own destiny, and as such, I do my best to abide by my own willpower and strength of self. "Bad faith" is what marked a significant period of my life. Bad faith--the resigning, futile conscience, mourning life as you live... it's what consumed me when I was depressed for the first few years of high school.

What cultural values have you inherited that can be tied to "place" (where you have lived, or the conditions in which you have lived)? Have you adopted these values as your own, or rejected them?

I've lived in many different places, and perhaps I've held onto various different things from each: in particular, being exposed to the diversity and liveliness of New York City broadened my worldview and instilled within me at a young age that it is empowering, not disheartening, to belong to something big, to know that there is a constantly moving and shifting life force driving every seemingly insignificant day. I have done my best to remember this even when PC drama-induced cabin fever strikes.

Is there any way that you, as a young person, can relate to Sheriff Bell's feeling that his job has passed him by, that he is no longer suited to the work he loves?

I wonder if to become jaded is an inevitability of life. I haven't met an old person that didn't mind being old, that kept up with contemporary life instead of retreating further back into a defensive shell, that didn't pose a rigid resistance against change. It's hard for me to understand that mentality, so my gut instinct is to refute the notion that I'm similar to Bell like this. On second thought, however, the idea of utilizing defensive mechanisms to resist a kind of change I find scary is one I can relate to despite the age difference.

Thursday, February 5, 2015

MOVIES 2 WATCH ON VALENTINES DAY

Valentine's Day, while ultimately less of a "holiday" than it is a delusion crafted by the hands of Hallmark in order to inflate its capital gain, can still be kind of cute.

Here are the best high-school teenage heteronormative romcoms that you should marathon instead of contributing to all-consuming corporate greed (in no particular order):

1. 10 Things I Hate About You
2. Clueless
3. She's All That
4. Easy A
5. The First Time
6. She's The Man
7. You've Got Mail
8. The Proposal
9. A Cinderella Story
10. Date Night... (Kate)
11. Love Actually
12. Crazy Stupid Love
13. 13 Going On 30
14. Bridge to Terabithia

I did 14 because the 14...th.